Screen Writer

     Project Title:
HIM

     Genre:
Narrative

     Length:10 mins 

     Language available: English 

     Status: Post-production











Logline

A skilled thief becomes obsessed with breaking into a reclusive writer’s home,
only to find himself drawn into the mysterious novel the writer is working
on, blurring the lines between fiction
and reality.













 Art Statement

In HIM, I explore the intersection of obsession, reality, and fiction. The story revolves around 
a character who crosses the boundary between
a constructed world and his own reality,
illustrating how deeply stories can affect and 
even control us.

I’m fascinated by how people interact with the narratives around them—whether it’s a novel, 
a film, or the stories we tell ourselves. HIM 
delves into this by blurring the lines between 
the character’s life and the novel he discovers, leading to a psychological unraveling. Through 
the act of intrusion, the protagonist steps into 
another world, mirroring how as storytellers, 
we create worlds that others can enter and 
lose themselves within.

The structure of HIM plays with the idea of perspective, constantly shifting the audience’s 
role from passive observer to active participant, 
just as the protagonist shifts from voyeur to character within the story. It’s a reflection of 
how narratives pull us in, sometimes distorting 
the boundary between truth and fiction. My 
goal is to challenge the audienceto think about 
their relationship with the stories they consume, 
and how these stories can blur the lines between who they are and who they believe themselves 
to be.










Parts of The Script







   
   












Inspiration:


The idea for HIM came from my fascination
with the blurred lines between reality and 
fiction. I wanted to explore how stories can influence and reflect our actions, which is 
why the protagonist in HIM becomes drawn 
into the writer’s world, slowly losing the 
distinction between his life and the novel.

I took inspiration from works like The Double 
by Dostoevsky and Paul Auster's City of Glass, where characters face the unraveling of their 
own identity while becoming part of someone else’s story. 

Similarly, Rear Window by Alfred Hitchcock inspired the theme of voyeurism—how 
watching others can quickly turn into obsession, and how trying to manipulate a situation can 
have unexpected consequences.

At its core, HIM is about the danger of trying 
to control a story that’s not your own, and how that can pull you deeper into a reality you can 
no longer escape.